Activity
| Page | Year | Type | Title & Event | Project / Artist | Venue / Label |
|---|---|---|---|---|---|
per-billy-duo-oto-2024 | 2024 | Performance | Cafe OTO | ||
per-llln-oto-2024 | 2024 | Performance | Cafe OTO | ||
per-xt-kerp-res | 2024 | Performance | |||
per-solo-gibbs | 2024 | Performance | Solo | ||
rel-pp-keb | 2024 | Release | |||
per-xt-kws-fimav | 2024 | Performance | Kavain Wayne Space & XT | ||
tyyym-kg-mathair | 2024 | Sound | Mathair | Keira Greene | |
rel-xtkws | 2024 | Release | |||
rel-llln-victor | 2024 | Release | |||
ed-workshop-video-club-chealsea | 2024 | Workshop | Chelsea College of Art and Design | ||
per-yplo-obtru-brx | 2024 | Performance | |||
rel-yplo-obtru | 2024 | Release | |||
per-xrht-oto-231019 | 2023 | Performance | (untitled) | ||
per-jaffa-mode-ap | 2023 | Performance | Jaffa Mode at “Know how to now it’s that you’re learning the segments That aren’t sentences at all and converse with each other” * | ||
res-slip-oto-2023 | 2023 | ResidencyPerformance | Cafe OTO | ||
rel-xtag-ours | 2023 | Release | Art Into Life | ||
int-slip | 2023 | Interview | Cafe OTO | ||
per-xt-oto-230616 | 2023 | Performance | (untitled) | ||
rel-growl | 2023 | Release | Self Released | ||
per-ros-q02 | 2023 | Performance | Will Holder & Paul Abbott | Qo2 Oscillations Festival | |
per-bs-taktlos | 2023 | Performance | (untitled) | Billy Steiger & Paul Abbott | |
per-xrht-taktlos | 2023 | PerformanceResidency | (untitled) | ||
2023 | Workshop | ||||
per-xtag-ours-oto | 2022 | Performance | Cafe OTO | ||
per-xtag-ours-qo2 | 2022 | ResidencyPerformance | Q-o2 Brussels | ||
2022 | Workshop | ||||
per-xtpt-oto-2022 | 2022 | Performance | "Akisakila" / Attitudes… live | ||
per-xtpt-aclaus-2022 | 2022 | Performance | "Akisakila" / Attitudes… live | ||
per-xtpt-zurich-2022 | 2022 | Performance | "Akisakila" / Attitudes… live | ||
rel-xtpt-aki | 2022 | Release | "Akisakila" / Attitudes Of Preparation (Mountains, Oceans, Trees) | OTOroku | |
per-wh-ros-async | 2022 | Performance | Will Holder & Paul Abbott | Asynchronicity (Kölnischer Kunstverein, Cologne; Ludwig Forum für Internationale Kunst, Aachen) | |
per-cherry-argos | 2022 | Performance | Argos | ||
rel-xt-deorlaf-obrux | 2022 | Release | Tusk | ||
kg-hide-snd | 2022 | Sound | for film The Hide | Keira Greene | |
per-xtrp-oct21 | 2021 | Performance | (untitled) | ||
rel-deorlafZ-pa | 2021 | Release | OTOroku | ||
rel-deorlafx-xt | 2021 | Release | OTOroku | ||
rel-fugitive-nmcb | 2021 | Release | Fonograf Editions | ||
rel-nsular-pa | 2021 | Release | Self Released | ||
snd-kg-folds | 2021 | Sound | for film Folds | Keira Greene | |
per-vg-whpa | 2020 | Performance | Will Holder & Paul Abbott | KW Berlin | |
pub-frd-whpa | 2020 | Publication | Will Holder, Paul Abbott (co eds.) | Uh Books | |
per-rtpa-folds-oto | 2020 | Performance | (untitiled) at Keira Greene "Folds" / F.R.David "Very Good*" | Rian Treanor & Paul Abbott | Cafe OTO |
per-rtpa-cf | 2019 | Performance | Rian Treanor & Paul Abbott | Counterflows | |
rel-palina-xt | 2019 | Release | Empty Editions | ||
per-cbreeze-res | 2019 | PerformanceResidency | Cafe OTO | ||
rel-ductus-pa | 2019 | Release | Self Released | ||
eve-kg-breeze-chat | 2019 | Interview | Whitstable Biennale | ||
per-xtrp-bad | 2019 | Performance | (untitled) | Bad Bonn 2019 | |
rel-311218-xtboo | 2018 | Release | OTOroku | ||
per-xtrp-oto-nye | 2018 | Performance | NYE Set | Cafe OTO | |
per-yplo-oto-2018 | 2018 | Performance | (untitled) | ||
rel-9818-xtcont | 2018 | Release | OTOroku | ||
per-breeze-trio-whit | 2018 | Performance | Whitstable Biennale | ||
wks-breeze-whit | 2018 | Workshop | Whitstable Biennale | ||
rel-paene-pa | 2018 | Release | OTOroku | ||
per-xtrp-counter-18 | 2018 | Performance | (untitled) | Counterflows 2018 | |
per-ulap-eagress | 2018 | Performance | Camden Arts Centre | ||
snd-kg-edrift | 2018 | Sound | for film Eustatic Drift | ||
rel-stopc-yplo | 2017 | Release | Self Released | ||
per-wcsp-kw | 2017 | Performance | Drumming, speaking, singing, playing saxophone respectively | Paul Abbott, Will Holder, Cara Tolmie, Seymour Wright | |
per-xt-gamut-fest-2017 | 2017 | Performance | (untitled) | ||
rel-vshuzoF-pa | 2017 | Release | Self Released | ||
rel-sphuzo-pa | 2017 | Release | Self Released | ||
per-cesura-2-launch | 2017 | Event | Cesura//Acceso Issue 2 Launch w/ Claire Potter, Federica Frabetti, Lisa Jeschke and Lucy Beynon, Vindicatrix, Billy Steiger | Cafe OTO | |
rel-tanadonu-xt | 2017 | Release | Self Released | ||
pub-cesura-j2 | 2017 | Publication | Cesura//Acceso Issue 2 | Self Published | |
per-wcsp-oto | 2016 | Performance | “Embedded” residency performance | Paul Abbott, Will Holder, Cara Tolmie, Seymour Wright | |
eve-cesura-moten | 2016 | Event | Cesura//Acceso presents Fred Moten w/ Hannah Black + Will Holder + Sacha Kahir + Fumi Okiji + Pat Thomas + Hypatia Vourloumis | Cafe OTO | |
rel-28416-papt | 2016 | Release | Pat Thomas & Paul Abbott | OTOroku | |
rel-qno-pa | 2016 | Release | OTOroku | ||
pub-cesura-hs | 2016 | Event | Howard Slater - A Blind Eye Turned: Notes on Music and Libidinal Economy | Cesura//Acceso, Howard Slater, Gabriel Humberstone (ed). | Self Published |
per-ulap-white | 2015 | Performance | Queen Of The Shell | ||
rel-pah-xt | 2015 | Release | Pleasure Of The Text | ||
rel-vagus-pa | 2015 | Release | Portaa | ||
rel-vjer-llln | 2015 | Release | Self Released | ||
per-ulap-plastic | 2014 | Performance | The Legal Team, The Singer, The Gait and The Chorus at Plastic Words | Raven Row | |
per-ulap-counter | 2014 | Performance | |||
rel-gjer-llln | 2014 | Release | OTOroku | ||
pub-cesura-j1 | 2014 | Publication | Cesura//Acceso Issue 1 | Self Published | |
per-solo-antrgor | 2013 | Performance | Cafe OTO / FMA | ||
ed-lux-aap | 2009 | Course | LUX AAP |