Education & Qualifications
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| Page | CV Visible | CV Zone | Date | DateYear | Year | Type | Company / Institution | Title / Role | Qualification / Project |
|---|---|---|---|---|---|---|---|---|---|
Education | September 1, 2022 → September 1, 2024 | 2022-2024 | Royal Conservatory Antwerp / Royal Academy of Fine Art Antwerp | Two Year Research Project | |||||
Education | September 23, 2019 → September 23, 2022 | 2019-2022 | The University of Edinburgh | PhD: Creative Music Practice |
Experience: Work & Artistic Practice
Teaching
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| Page | CV Visible | CV Zone | Date | DateYear | Year | Type | Company / Institution | Title / Role | Qualification / Project |
|---|---|---|---|---|---|---|---|---|---|
teaching | January 1, 2020 | 2020 | Tutor |
Artistic Practice
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| Page | CV Visible | Year | Type | Title & Event | Project / Artist | Venue / Label |
|---|---|---|---|---|---|---|
per-xrht-oto-231019 | 19/10/23 | Performance | (untitled) | |||
per-jaffa-mode-ap | 2023 | Performance | ||||
res-slip-oto-2023 | 2023 | ResidencyPerformance | Cafe OTO | |||
int-slip | 2023 | Interview | Cafe OTO | |||
per-xt-oto-230616 | 2023 | Performance | (untitled) | |||
per-ros-q02 | 2023 | Performance | Will Holder
& Paul Abbott | Qo2 Oscillations Festival | ||
per-bs-taktlos | 2023 | Performance | (untitled) | Billy Steiger
& Paul Abbott | ||
per-xrht-taktlos | 2023 | PerformanceResidency | (untitled) | |||
per-xtag-ours-oto | 2022 | Performance | Cafe OTO | |||
per-xtag-ours-qo2 | 2022 | ResidencyPerformance | Q-o2 Brussels | |||
per-xtpt-oto-2022 | 2022 | Performance | "Akisakila" / Attitudes… live | |||
per-xtpt-aclaus-2022 | 2022 | Performance | "Akisakila" / Attitudes… live | |||
per-xtpt-zurich-2022 | 2022 | Performance | "Akisakila" / Attitudes… live | |||
per-cherry-argos | 2022 | Performance | Argos | |||
per-xtrp-oct21 | 2021 | Performance | (untitled) | |||
per-vg-whpa | 2020 | Performance | Will Holder &
Paul Abbott | KW Berlin | ||
per-rtpa-folds-oto | 2020 | Performance | Rian Treanor & Paul Abbott | Cafe OTO | ||
per-rtpa-cf | 2019 | Performance | Rian Treanor & Paul Abbott | Counterflows | ||
per-cbreeze-res | 2019 | PerformanceResidency | Cafe OTO | |||
eve-kg-breeze-chat | 2019 | Interview | Whitstable Biennale | |||
per-xtrp-bad | 2019 | Performance | (untitled) | Bad Bonn 2019 | ||
per-xtrp-oto-nye | 2018 | Performance | NYE Set | Cafe OTO | ||
per-yplo-oto-2018 | 2018 | Performance | (untitled) | |||
per-breeze-trio-whit | 2018 | Performance | Whitstable Biennale | |||
per-xtrp-counter-18 | 2018 | Performance | (untitled) | Counterflows 2018 | ||
per-ulap-eagress | 2018 | Performance | Camden Arts Centre | |||
per-wcsp-kw | 2017 | Performance | Drumming, speaking, singing, playing saxophone respectively | Paul Abbott, Will Holder, Cara Tolmie, Seymour Wright | ||
per-xt-gamut-fest-2017 | 2017 | Performance | (untitled) | |||
per-wcsp-oto | 2016 | Performance | “Embedded” residency performance | Paul Abbott, Will Holder, Cara Tolmie, Seymour Wright | ||
per-ulap-white | 2015 | Performance | Queen Of The Shell | |||
per-ulap-plastic | 2014 | Performance | The Legal Team, The Singer, The Gait and The Chorus at Plastic Words | Raven Row | ||
per-ulap-counter | 2014 | Performance | ||||
per-solo-antrgor | 2013 | Performance | Cafe OTO / FMA |
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| Page | CV Visible | Year | Type | Title & Event | Project / Artist | Venue / Label |
|---|---|---|---|---|---|---|
pub-frd-whpa | 2020 | Publication | Will Holder,
Paul Abbott (co eds.) | Uh Books | ||
pub-cesura-j2 | 2017 | Publication | Cesura//Acceso Issue 2 | Self Published | ||
pub-cesura-j1 | 2014 | Publication | Cesura//Acceso Issue 1 | Self Published |
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| Page | CV Visible | Year | Type | Title & Event | Project / Artist | Venue / Label |
|---|---|---|---|---|---|---|
res-slip-oto-2023 | 2023 | ResidencyPerformance | Cafe OTO | |||
per-xrht-taktlos | 2023 | PerformanceResidency | (untitled) | |||
per-xtag-ours-qo2 | 2022 | ResidencyPerformance | Q-o2 Brussels | |||
per-cbreeze-res | 2019 | PerformanceResidency | Cafe OTO |
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| Page | CV Visible | Year | Type | Title & Event | Project / Artist | Venue / Label |
|---|---|---|---|---|---|---|
2023 | Workshop | |||||
2022 | Workshop | |||||
wks-breeze-whit | 2018 | Workshop | Whitstable Biennale |
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| Page | CV Visible | Year | Type | Title & Event | Project / Artist | Venue / Label |
|---|---|---|---|---|---|---|
per-cesura-2-launch | 2017 | Event | Cesura//Acceso Issue 2 Launch w/ Claire Potter, Federica Frabetti, Lisa Jeschke and Lucy Beynon, Vindicatrix, Billy Steiger | Cafe OTO | ||
eve-cesura-moten | 2016 | Event | Cesura//Acceso presents Fred Moten w/ Hannah Black + Will Holder + Sacha Kahir + Fumi Okiji + Pat Thomas + Hypatia Vourloumis | Cafe OTO | ||
pub-cesura-hs | 2016 | Event | Howard Slater - A Blind Eye Turned: Notes on Music and Libidinal Economy | Cesura//Acceso, Howard Slater, Gabriel Humberstone (ed). | Self Published |
Sound Work
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| Page | CV Visible | Year | Type | Title & Event | Project / Artist | Venue / Label | tyyym work detail |
|---|---|---|---|---|---|---|---|
tyyym-rja-hhh | 2023 | Sound | Rebecca Jane Arthur | 5.1 Surround. Sound recording, creation, editing. | |||
kg-hide-snd | 2022 | Sound | for The Hide | Keira Greene | 5.1 Surround. Sound recording, creation, editing, mixing. | ||
tyyym-AB-22 | 2022 | Sound | for Seasferic | Anna Barham | Whitstable Biennale | Live broadcast performance for underwater speaker & hydrophones: technical, planning and performance assistance. | |
tyyyym-LP-2022 | 2022 | Sound | Laure Prouvost | The National Museum, Oslo | 4.0 channel sound work for installation. Sound creation, edit, mix. | ||
snd-kg-folds | 2021 | Sound | for Folds | Keira Greene | 2.0 Stereo. Sound design, mixing. | ||
snd-kg-edrift | 2018 | Sound | for Eustatic Drift | Keira Greene | 2.0 Stereo. Sound recording, creation, editing, mixing. |